The Intersection of AI And Human Creativity
The ability to be creative has always been a big part of what separates human beings from machines. But today, a new generation of 'generative' artificial intelligence (AI) applications is casting doubt on how wide that divide really is!
Does this mean that computers are truly being creative? Or are they simply giving the impression of creativity while, in reality, simply following a set of pre-programmed or probabilistic rules provided by us?
What is Creativity?
In order to tackle this seemingly complicated and philosophical quandary, we need to start by defining what creativity actually is.
The Oxford dictionary gives a simple definition: 'The use of imagination or original ideas to create something.'
I think 'imagination' is a good starting point for this investigation ' after all, it's the faculty that we associate with our ability to have new ideas ' and, therefore, the genesis of creativity.
There also has to be an element of originality - simply copying someone else's painting or poem can't really be called creativity unless we are making our own interpretation or adding our own unique touch to it.
Human ideas and imagination often come from making connections ' we see, hear, feel, or learn something, and this causes us to form an idea or opinion. When we express this by creating something that represents that connection ' such as writing a poem about something sad in order to communicate the sadness of an event or situation to others ' we are being creative in a very human way.
Generative AI
Generative AI involves machine learning (ML) algorithms that can learn a set of rules by studying a large amount of existing data (known as 'training data') and using the rules it learns to create something new based on an input (known as a 'prompt').
One of the most advanced generative AI models available today ' OpenAI's GPT-4 ' is believed to have been trained on around one trillion parameters. The precise details of the training dataset have not been made public, but we can assume it knows far more about the sun than the hypothetical model used for our example.
This means that the content it can generate can be far more detailed, sophisticated, in-depth, and, from a certain point of view, creative.
Let's test this out ' this is GPT-4's (via ChatGPT Plus) response to my prompt 'write a haiku about the Sun':
'Golden Orb Ascends
Warmth embraces Earth below
Life awakes with light."
Now, a haiku is a very limiting form - which, of course, is why we consider the ability to write them well to be so "creative."
But even so, the algorithm has been able to pack in an impressive amount of knowledge, ideas, and concepts into the poem. These include the color and shape of the sun, the fact it emits heat, shines down on the planet Earth, and, by doing so, enables life.
I am no poet, but I am a human ' and I would have a great deal of difficulty expressing all of those distinct concepts in the three-line, five-seven-five syllable structure of a haiku. Does this mean the algorithm is more creative than me? From a purely objective point of view, it seems difficult to argue that it isn't!
Can Computers Have New Ideas?
In order to really get closer to a definitive answer to the question, though, it's important to remember one thing:
No matter how impressive a piece of computer-created poetry or artwork might be, it's always built from blocks carved out of the data that's used to train it. In other words, it isn't genuinely capable of what we would call 'original thought' ' having new ideas of its own.
Are humans? Well, as we mentioned before, we have a faculty that we call "imagination," which we think of as an ability to conjure up new ideas and concepts in our heads. But how many of what we consider to be our own original thoughts are derived from things we've previously seen, heard, read, experienced, or learned? As we've already covered, the workings of the human brain are still largely a mystery, even to psychologists and neuroscientists.
But one point I think that can be made about how we differ from machines in this regard is that the connections we make between things we've previously experienced and the new ideas we come up with are something to do with our humanity. It's things we've previously seen, heard, and read (our own 'training data') but filtered through the lens of our own perceptions, feelings, beliefs, and experiences ' in other words, our humanity.
After all, it's these feelings, beliefs, and experiences that make us what we are ' human. Generative AI algorithms make connections too, but they do it in an entirely probabilistic, mechanized way ' simply by determining what words or concepts are most frequently connected together. "What shape is the Sun?" ' "The Sun is an orb."
ChatGPT Plus may know that the sun gives off heat and light and makes it possible for light to exist. But it doesn't have its own personal thoughts, feeling, and memories about the sun in the same way that you or I do.
One thing we can say for certain is that forcing us to reassess our ideas around what constitutes art, expression, and creativity is just one of the many tumultuous effects that AI will have on society in the coming years. And if the result of that is that we understand a little more about what it is that makes us human, then that by itself could have all kinds of implications for how we live our lives in the future.
Please note this is an abridged version of Bernard's article. You can access the full article here'and subscribe to Bernard's newsletter on future trends here.
Bernard Marr is a world-renowned futurist, influencer and thought leader in the fields of business and technology, with a passion for using technology for the good of humanity. He is a'best-selling author of 21 books, writes a regular column for Forbes and advises and coaches many of the world's best-known organisations. Bernard's latest books are 'Business Trends in Practice: The 25+ Trends That Are Redefining Organisations' and 'Future Skills: The 20 Skills and Competencies Everyone Needs To Succeed In A Digital World'.'You can find Bernard's work here.
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